Include the time in the film/video if possible so we can find it. Frank Baum Música Walter Scharf Fotografía Animación Reparto Animación Compañías Filmation Associates, Warner Bros. País Estados Unidos Dirección Hal Sutherland Guion Fred Ladd, Norm Prescott. If you have a quote to add or change and want to let us know, please fill in the form below. Journey Back to Oz Año 1974 Duración 88 min. Journey Back to Oz is distributed by Filmation. 1 The comic number is sung by the Cowardly Lion played by Bert Lahr during the scene at the Emerald City, 2 when the Lion, Dorothy (with Toto ), Tin Woodsman and Scarecrow are waiting to learn whether the Wizard will grant them an audience. Each episode of Journey Back to Oz is 88 minutes long. Journey Back to Oz is recorded in English and originally aired in United States. It features Preston Blair as producer, and Walter Scharf (score and song arrangements) in charge of musical score. Dorothy is now at home but she's thinking at all the adventures she has lived with her old pals. Journey Back to Oz completed its run in 1970. Song from Filmation's 'Journey Back to Oz' (1973), starring Liza Minnelli as Dorothy Gale. 732 531-9106 X14.Journey Back to Oz is a television program that was first aired in 1970. Pollak Theater, 400 Cedar Ave, Monmouth University, West Long Branch, Aug. "The Lost Princess of Oz," presented by the Axelrod Contemporary Ballet Theater in partnership with the Axelrod Performing Arts Center. "And what's more American than bluegrass? This is my homage to America." "Baum is the teller of the American fairy tale," Chajnik said. John) Existential Blues (song by Tom T-Bone Stankus) Tik-Tok of Oz (1914. "Cluck Old Hen," "I'll See You In My Dreams," and "All of Your Heart," are some of the tunes sung by Richards and Brown, who in another life perform as the Asbury-based country duo Williams Honor.Īll these elements combine to turn "The Lost Princess of Oz" into, not just an unorthodox ballet exercise or a Baum redux, but into a full-blown piece of Americana. Audio clips are (almost mostly) from Journey Back to Oz by Filmation. This production, which contains multi-media elements, 35-plus dancers including kids from local dance schools, six musicians, and an original 70-minute score by Chris Becker, also has songs − mostly bluegrass tunes, from the 1920s, that give the show a classic cracker-barrel flavor. That piece was multicultural, as well as multi-media: Chajnik patched together a score featuring Shostakovich and Tchaikovsky (played by a string quartet) with Indian tabla players.īut that's just the beginning. In his follow-up "The Jungle Book," 2019, based on Kipling's stories, there was an actual, onstage Jungle Book: 26 feet by 14 feet, on which scrolled the words of the text to accompany the ballet action. "I added an actor playing the role of a young Shakespeare, writing the play on-site as the dance number happened, Chajnik said. In his 2018 "Midsummer Night's Dream," he combined Mendelssohn's incidental music (plus several other Mendelssohn works) from a 20-piece orchestra conducted by Jason Tramm with narration from an actor representing Shakespeare himself. People get tense when they don't understand something." "They start coughing or sleeping or unwrapping candy. "With ballet, you'll notice some people check out," he said. Spoken narration, song, projections and multi-media effects are - to be sure - not the stuff of "pure" ballet.īut then neither is undivided audience attention, as Chajnik points out. I identify with it."įor the past four years, working with the Axelrod Contemporary Ballet Theater, Chajnik has been on just such a perilous mission. Secuela semi-oficial de El Mago de Oz (pese a que el Mago no aparece en ésta). Diving into the unknown, trying to find something we care about. Regreso al mundo maravilloso de Oz (Journey Back to Oz) es una película animada producida por Lou Scheimer y su estudio Filmation. "I think we have all done that in our life. "The message behind the ballet is that you are willing to undergo any danger to find somebody or something that, to us, is really important," Chajnik said. The Wizard of Oz spawned two sequels, Journey Back to Oz (1974). Most important, there is Princess Ozma, whose disappearance leads to a frantic search through all four corners of the Land of Oz (almost a perfect square, in the maps Baum drew) in this mashup by librettist Shannon Hill of two Baum sequels, "Ozma of Oz" (book 3) and "The Lost Princess of Oz" (book 11). The Wizard of Oz won a Best Song Oscar for Over the Rainbow, which became one of. "He's made out of copper, and he's wound up." "Frank wrote the first robot in his story," Chajnik said. Some may be brand new to you, though they were very familiar to Baum's legions of readers: The Patchwork Girl, The Frogman, Jellia Jamb ("Jelly or Jam?"), Ugu the Shoemaker, Ojo the Unlucky, and Tik-Tok - a clockwork man, not a social media platform.
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